Anisha’s Song is an evil play of cruelty and hopeful redemption. After witnessing the rape of a young Muslim girl, a cowardly man hides in a world trapped by guilt. His cowardliness leaves him longing for the things he can never have. In his isolation he looks for redemption from evil. " CREW Producer: TIMELOGUE Story: Stuart Howe / Kelvin Tso Director: Stuart Howe / Kelvin Tso Script Supervisor: Alex Whitmer Cinematographer: Jeremy Tay / Stuart Howe Props & Costume: Karen Lo Asst. Director: Kenneth Lee Make up: Alisa Chung PA: Michelle Lam, Nicholas Hui Editor: Kelvin Tso Colourist: Stuart Howe VFX: Engine House / Firefly BTS Photography: Elaine Li (lielaine.tumblr.com) CAST Man: Jason Tobin Anisah: Lisa Henderson Gang: Daniel Edwards / Ausborn Lim What we wanted to do was to create a strong yet abstract narrative that resonates with the theme of the song. It needed to have strong visuals, but still wanted moments of strong contrast without being too literal, but instead more metaphoric. What's is most scary, the images we see before our eyes or the images projected by our imaginations? Shooting in Hong Kong was a challenge. It was hot, it was humid and there are skyscrapers everywhere. The challenge for us was to find a location that was somewhat secluded. We wanted the story to work universally.
Anisha’s Song is an evil play of cruelty and hopeful redemption. After witnessing the rape of a young Muslim girl, a cowardly man hides in a world trapped by guilt. His cowardliness leaves him longing for the things he can never have. In his isolation he looks for redemption from evil. " CREW Producer: TIMELOGUE Story: Stuart Howe / Kelvin Tso Director: Stuart Howe / Kelvin Tso Script Supervisor: Alex Whitmer Cinematographer: Jeremy Tay / Stuart Howe Props & Costume: Karen Lo Asst. Director: Kenneth Lee Make up: Alisa Chung PA: Michelle Lam, Nicholas Hui Editor: Kelvin Tso Colourist: Stuart Howe VFX: Engine House / Firefly BTS Photography: Elaine Li (lielaine.tumblr.com) CAST Man: Jason Tobin Anisah: Lisa Henderson Gang: Daniel Edwards / Ausborn Lim What we wanted to do was to create a strong yet abstract narrative that resonates with the theme of the song. It needed to have strong visuals, but still wanted moments of strong contrast without being too literal, but instead more metaphoric. What's is most scary, the images we see before our eyes or the images projected by our imaginations? Shooting in Hong Kong was a challenge. It was hot, it was humid and there are skyscrapers everywhere. The challenge for us was to find a location that was somewhat secluded. We wanted the story to work universally.